Equal­i­­ty, in­­di­ge­­nous self-de­ter­mi­­na­­tion, wo­m­en’s rights, and Black Pow­er: the ex­hi­bi­­tion Map­ping the Col­lec­­tion takes a close look at the 1960s and 1970s in the Unit­ed States. It asks how artists have re­ac­t­ed to the so­­cial de­vel­op­­ments and up­­hea­­vals of th­ese de­­cades—and, con­­verse­­ly, what ideas about art from this time have shaped our me­m­o­ry. What im­age of Amer­i­­ca is rep­re­sen­t­ed here? What part did in­­di­ge­­nous artists, fe­­male artists, queer po­si­­tions, and artists of col­or play in the de­vel­op­­ment of art dur­ing this time?

For the ex­hi­bi­tion HERE AND NOW at Mu­se­um Lud­wig: Dy­nam­ic Spaces, the Mu­se­um Lud­wig is col­lab­o­rat­ing with the plat­form Con­tem­po­rary And (C&). Found­ed by Ju­lia Grosse and Yvette Mu­tum­ba, C& sees it­self as “a dy­nam­ic space for is­sues and in­for­ma­tion on con­tem­po­rary art from Afri­ca and its Glob­al Di­as­po­ra.”&nb­sp;The ex­hi­bi­tion pre­sents th­ese ac­tiv­i­ties and C&’s of­f­line pro­jects and con­nects them with other ar­tis­tic po­si­tions.