Peter Heis­terkamp, whose artist’s name goes back to the ma­fio­so Frank “Blinky” Paler­mo, is known for his large fab­ric and me­t­al pic­tures as well as his ob­jects and in­s­tal­la­tions. Less well known, yet no less in­ter­est­ing, are the works he cre­at­ed in edi­tions: screen prints and off­set prints, litho­graphs, ob­jects, and a tem­plate for paint­ing. In their en­tire­ty, th­ese works not on­ly re­flect Paler­mo's de­vel­op­ment from the 1960s to his ear­ly death in 1977, but al­so show how the artist de­lib­er­ate­ly ex­pand­ed his work with the pos­si­bil­i­ties of tech­ni­cal re­pro­duc­tion.

For the se­cond edi­tion of the se­ries Schultze Pro­jects, the Amer­i­can artist Av­ery Singer has cre­at­ed a new, site-spe­cif­ic work for the stair­well at the Mu­se­um Lud­wig. The sev­en-part work is over sev­en­teen me­ters long and three and a half me­ters high. The name of the se­ries re­fers to Ber­nard Schultze and his wife Ur­su­la (Schultze-Bluhm), whose es­tate is ma­n­aged by the Mu­se­um Lud­wig, and in whose me­m­o­ry ev­ery two years since 2017 an artist has been in­vit­ed to cre­ate a ma­jor work for the pro­mi­nent front wall of the stair­well.